Mona Singh On Playing Bubbly In Subedaar: ‘I Have Always Tried Not To Play The Same Role That…’

At the trailer launch of Subedaar, Mona Singh opened up about stepping into yet another layered and unexpected character, shortly after portraying Dhanwant Kaur in Kohraa Season 2. Known for consciously avoiding repetition, Mona reflected on embracing roles that push her beyond comfort. Speaking about her journey, she said, “So, you know, mostly actors want to not repeat themselves. And I have always tried not to play the same role that I have played before.” With Subedaar, she once again proves her commitment to choosing characters that are strikingly different from her previous work.

Sharing what drew her to the role, Mona expressed gratitude and excitement. “And I feel very, very lucky, grateful that I have such friends. Suresh offered me this role. And I really found it very challenging because I have never played such a role. You know, the name is Bubbly but she is not Bubbly from anywhere.” Highlighting the complexity of the character, she added, “So yes, it was very very challenging. You have to catch the dialect of a heartland and you are also a goon. You are running a sand mafia. I have made Subedar ji sad in the movie. There’s a lot of action happening because of Didi.”

For Mona, challenges are the driving force behind her craft. “Every actor likes challenges. I like it the most. To do things which surprise me, which challenge me, which give me some sleepless nights. So I felt all that while playing this and it was very fun.” With Subedaar, Mona Singh once again signals her fearless approach to storytelling, embracing roles that surprise audiences and redefine her range.

With Subedaar, Mona Singh once again reinforces why she remains one of the most dependable and dynamic performers today. By constantly choosing roles that unsettle, surprise and stretch her boundaries, she continues to evolve with every project. If Dhanwant Kaur showcased her emotional depth, Bubbly promises to reveal a fiercer, more unpredictable side, proving that Mona Singh’s journey is defined not by repetition, but by reinvention.

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