Berlin Film Festival Reviews
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Warwick Thornton’s Indigenous Australian Western
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An experienced cinematographer before he turned to directing, Warwick Thornton has a feel for the Central Australian desert and the craggy MacDonnell Ranges ...

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Emin Alper’s Trenchant Political Allegory
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The title of Turkish writer-director Emin Alper’s Salvation (Kurtuluş) carries a bitter sting, pointing up how a perceived enemy threat can be manipulated to ...

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Strangers Connect in Mexican Charmer
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Fernando Eimbcke’s fifth feature, Moscas (Flies), opens with a loose string of vignettes. Teresita Sánchez —  a 2022 Sundance Special Jury Prize winner for ...

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Sam Pollard’s Vivid and Personal Desmond Tutu Doc
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Cinematic biographies, like their printed counterparts, can be heavy lifting. We’re often barraged with a series of facts, dates and notable events, and the ...

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Anthony Chen’s Lovely Singapore Story
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After two features set far from home — respectively Drift in Greece and The Breaking Ice in China — Anthony Chen returns to Singapore with the minor-key ...

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Art and Exile Collide in Lyrical Quebecois Drama
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Art and exile mesh together in fascinating ways in Nina Roza, the accomplished new feature from Quebecois writer-director Geneviève Dulude-de Celle, who ...

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Alain Gomis’ Sprawling French-African Family Drama
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The movies of writer-director Alain Gomis have often drifted between two separate continents and cultures. On the one side there’s France, where his mother ...

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